Oscar Partridge
Director of Photography
Starting his career on Baz Luhrmann’s The Great Gatsby, Oscar worked his way up through the ranks of the camera department with a mix of commercials, promos, and narrative. Based in London with UK Settled Status, Italian and Australian passports as well as a US O-1 visa, he’s available for work worldwide. Oscar is also an associate of the Australian Cinematographers Society.
The Foreigner
Director of Photography
Kitchen Tales
Director of Photography
"Oscar is a fantastic collaborator with great storytelling instincts. He shoots with sensitivity to performance, he quickly builds rapport with actors on set, and leads his crew with clarity, and efficiency.”
Jane Moriarty - Director - Kitchen Tales
Selected credits
date | production | director / production company |
television: |
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| 2019 | BUMP | Luke Fredericks / Morphic Graffiti |
| 2018 | THE OBSCURE (Pilot) | Tel Benjamin / ABC, Screen Australia |
| 2017 | COMEDY NEXT GEN | John Schmidt, Jim Hare / ABC |
features: |
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| 2022 | GANYMEDE | Sam Probst, Colby Holt / Whiskey Stream, Iris Indie International |
shorts: |
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| 2022 | I CALLED YOU | Jane Moriarty / Double Yellow Productions |
| 2022 | LISTEN TO MOTHER (Additional Photography) | Jamie Gyngell / Mumbo Jumbo Films |
| 2021 | KITCHEN TALES | Jane Moriarty / Acuity Productions |
Winner: ACS Silver Award - Australian Cinematographers Society |
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| 2021 | ALL KINDS OF LIMBO | Toby Coffey / Acuity Productions |
Official Selection: Sundance Film Festival |
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Official Selection: BFI London Film Festival |
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| 2020 | CONDOLENCES TO YOUR FUTURE LOVERS | Jessica Dowse / Blue Robin Productions |
| 2019 | THE FOREIGNER | Ben Allen / Acuity Productions |
In Consideration: 93rd Academy Awards |
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Official Selection: BFI Flare London LGBTQIA+ Film Festival |
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| 2018 | GRANNY | David Burrowes / Lightbulbhead Productions |
| 2016 | RED FLAGS | David Burrowes / ACON |
| 2016 | MANIFESTO | David Burrowes / Lightbulbhead Productions |
| 2014 | SUCKED IN | Anthony Harrison / Octagon |
| 2014 | THE DEATH OF ABEL | David Burrowes / NIDA |
| 2011 | JORDAN | David Burrowes / COFA |
docs: |
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| 2022 | FIGHTING FOR HAKEEM (London Unit) | Matthew Bate / Sweetshop & Green |
| 2022 | SECOND TO NONE | Renee Mao / Sweetshop & Green |
| 2022 | WHERE THE SUN ALWAYS SHINES | Rosie Baldwin / BFI |
| 2018 | DRAW ME CLOSE | Jordan Tannahill / Young Vic, National Theatre |
| 2018 | THE PARAROOS | Tom Ferguson |
commercials: |
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'ALL KINDS OF LIMBO XR': Microsoft | Toby Coffey / National Theatre | |
'S42 H+ FIGHT DIRTY. CHOOSE SILVER': Cat | Arthur Lewin / Ecstasy of Gold | |
'EXO-1': Exosuit | Christian Kinde / Low Key Films | |
'STUDY LONDON': Visit London | Adam Lampard / Transmission | |
'HUAWEI MAGICBOOK': Paramount ViacomCBS | Joel Hagen / Acuity Productions | |
'LOOK TO THE WEST': Destination NSW | Cameron Craig / Tourism Australia | |
Winner: ACS Silver Award - Australian Cinematographers Society |
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'SEAMLESS': MoneyGram | Adam Lampard / Transmission | |
'SHANTELIA': Puma | Christian Kinde / Low Key Films | |
'CRUISE 2019': Gucci | Phil Sansom / PHIX | |
'NAB MINI LEGENDS': National Australia Bank | Tom Ferguson / FOX Sports | |
