Script Supervisor
Driven by his passion for story, whether its script reading for writing competitions or completing script reading courses, Matt is always looking to add further value to his work as a script supervisor. Having originally trained in the traditional pen & paper method, he is now a predominately digital script supervisor, using computer programs and apps to improve workflow on high-pace and high-intensity productions. Matt is based in London and available to work worldwide.
Bloods Series II
Script Supervisor
The Trouble With Jessica
Script Supervisor
"Matt is fastidious about all elements of continuity, can judge perfectly when and how to discuss matters with actors, has a encyclopedic knowledge of film history, is good fun to have on set and an all round good egg. I would work with him again with pleasure and I should also add that my editor found his notes extremely comprehensive and made a point of saying how impressed he was with them. "
Matt Winn - Director - The Trouble With Jessica
Selected credits
date | production | director / production company |
television: |
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| 2022 | THINGS YOU SHOULD HAVE DONE BY NOW (Pilot) | Jack Clough / Roughcut TV |
| 2022 | COUNT ABDULLA (cover) | Asim Abbasi / Fudge Park |
| 2022 | JERK Series III | Tom McKay / Roughcut TV |
| 2022 | FLIGHT 422 | Ashley Pearce / MBC Studios |
| 2022 | HISTORY OF A PLEASURE SEEKER (assistant script supervisor) | Julie Anne Robinson / Hat Trick Productions |
| 2022 | KIRKMOORE (taster tape) | Damon Beesley / Fudge Park |
| 2022 | ABRACADOPERA! | Jonathan Fox Bassett / Somethin Else |
| 2022 | EXTRAORDINARY (cover / 2nd unit) | Jennifer Sheridan, Toby MacDonald, Nadira Amrani / Sid Gentle |
| 2021 | BLOODS Series II | Ben Gregor, Tom McKay / Roughcut TV |
| 2021 | SMOTHERED Pilot | Luke Snellin / Roughcut TV |
| 2021 | HARD CELL | Catherine Tate, James Kayler / Leopard Pictures |
| 2021 | MY NAME IS LEON | Lynette Linton / Tiger Aspect |
| 2021 | THE ESSEX SERPENT (2nd unit) | Clio Barnard / See-Saw Films |
| 2020 | DOCTORS Series XXII | Merlyn Rice, Debbie Howard / BBC |
| 2020 | DOCTORS Series XXI | Jennie Paddon, Kodjo Tsakpo, Dan Wilson / BBC |
| 2019 | THE CAPTURE (2nd unit) | Derek Ritchie / Heyman TV |
| 2019 | WILD BILL (2nd unit) | John Hardwick / ITV |
features: |
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| 2023 | TELL NO LIES | Dylan Vox / MarVista Entertainment |
| 2021 | THE TROUBLE WITH JESSICA | Matt Winn / Bright Pictures |
| 2021 | MATILDA (assistant cover) | Matthew Warchus / Working Title |
| 2020 | THE STRANGER IN OUR BED | Giles Alderson / Buffalo Dragon |
| 2019 | LAIR (continuity) | Adam Ethan Crow / Ditto Films |
Winner: Best Picture - Action on Film International Film Festival 2021 |
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Winner: Honorable Mention - DaVinci Film Festival 2021 |
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Winner: Best Feature - Hex After Dark Film Festival 2021 |
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plus 13 other wins |
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| 2019 | TWIST (2nd unit) | Martin Owen / Unstoppable Film and Television |
| 2019 | A SONG FROM THE DARK | Ogodinife Okpue / Adverto Studios |
Winner: Audience Award World Cinema - Montclair Film Festival (MFF) 2019 |
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| 2019 | THE ELECTRICAL LIFE OF LOUIS WAIN (2nd unit) | Will Sharpe / Film4 Productions |
| 2018 | YESTERDAY (2nd unit) | Danny Boyle / Working Title Films |
short films: |
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| 2023 | FOR FOX SAKE | Minha Kim / Two Birds Entertainment, Film4 |
| 2022 | MONOCHROMATIC | Karen Bryson / Mono Films |
| 2020 | A FEW MILES SOUTH | Ben Pearce / Shore Leave |
| 2020 | OFF YOUR HEAD | Lorenzo Albertini / N. U. Films |
| 2020 | SCREWJOB | Sam Benjamin / Shot of Tea |
| 2019 | TONY BEAR | Patrick Hopkins / Galleria Pictures |
| 2018 | SNAPSHOTS | Phoebe Barran, Llianna Bird / Blonde To Black Pictures |
| 2018 | SASHA & JO ARE GETTING MARRIED | Pier Wilkie / Brazen Productions |
| 2017 | CIVILISED | The Sacred Egg / Riff Raff Films |
commercials: |
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| 2023 | NHS ‘GIVING TYPE CAMPAIGN’ | Otis Dominique / Hunkydory Films |
