Production Designer
Ian moved into film production design in 2021, following more than a decade designing and directing immersive live events across the North East of England. His credits span feature films and shorts across genres including psychological horror, thriller and coming-of-age dramas. Ian’s approach is rooted in detailed research, practical problem-solving and close collaboration with directors to develop environments that support the story and visual language of each project. Based in the North East of England, with additional bases in the North West and London, he is well positioned to work across the UK.
Stand Your Ground
Production Designer
Ocean Deep
Production Designer
Selected credits
date | production | director / production company |
features |
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| 2026 | MACDONALD | Daniel Patrick Vaughan / House54 |
| 2025 | HALF WAY DOWN | Ryan Patch / Storytellers INK |
| 2025 | TRASH TV | Danny Lee / Rosebud Pictures |
| 2024 | RED RIDING | Craig Conway / House54 |
| 2024 | RUFUS KANE | Peter Lindmark / Voyance Productions |
| 2024 | VIDEO KILLED THE RADIO STAR | Brad Watson / Dreamtown |
| 2024 | STAND YOUR GROUND | Fansu Njie / Highfield Grange Studios |
| 2023 | BY THE THROAT | David Luke Rees / Crooked Smile Films |
| 2023 | A MOTHER FOR AN HOUR | Giga Agladze / Goldfinch |
| 2023 | SAVAGE FLOWERS | Brad Watson / Dreamtown |
| 2023 | I'LL PLAY MOTHER | Brad Watson / Dreamtown |
| 2023 | THE TRAP (Supervising Art Director) | Lena Heady / Ugly Duckling Films |
| 2022 | US OR THEM (UK) | Tom Paton / Highfield Grange Studios |
| 2022 | OCEAN DEEP | Liza Bolton / Goldfinch |
| 2022 | THE SIEGE | Brad Watson / MSR |
short films: |
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| 2024 | THE LAST HURRAH | Anastasia Bruce-Jones, Kavisha Mandalia |
| 2024 | FROSTLANDS | Anastasia Bruce-Jones |
| 2022 | THE TAKE | Joshua Gwynne / Sarcus Productions |
Winner: Best Action Film - World Film Festival in Cannes 2023 |
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Nominated: Best Indie Short Film - World Film Festival in Cannes 2023 |
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