Editor
With a three-pronged attack on drama, docs and commercials, Owen already seems to have carved out a distinctive career as an editor. And now with his first credit on a major streaming platform (Apple TV+’s The Buccaneers) his progression seems ever more assured. Owen is based in London.
The Buccaneers
Editor
Dead Pixels Series 2
Assistant Editor
Owen has such an incredible grasp of story from start to finish, and he sees what things will do to a structure before they’re done. He’s always willing to offer up ideas at a moment’s notice and it means the edit process never lacks the energy it needs. He’s an incredibly fast editor - my favourite thing about him! By the time you’ve spoken about an idea you’ve got he’s mocked up a rough version of it to show you.
Charlotte Regan - Director
Selected credits
date | production | director / production company |
television: |
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2022 | THE BUCCANEERS | Charlotte Regan / The Forge for Apple TV+ |
2021 | 0121 | Charlotte Regan / Fudge Park Productions |
shorts: |
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2024 | THE AXE | Werner Vivier / Noir Productions |
2022 | HARD TIMES | Elliott Gonzo, Elliott Warren |
2022 | WALLS LIKE WINDOWS | Werner Vivier / C24 Films |
Winner: Best International Short Under 15 mins - Kinsale Shark Awards 2023 |
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2020 | NO BALL GAMES | Charlotte Regan / DMC Film |
2017 | BIG COUSIN | Romano Pizzichini |
2016 | THE ASTRONAUT | Phoebe Arnstein |
2014 | LES YEUX SUR LA FEMMES | Liam Papadachi |
commercials: |
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TESCO FOOD STORIES “BARBECUE” | DayDay | |
DOG’S TRUST “GROUND HOG DAY” | Nick Davies | |
Winner: Editing Bronze Award - Circle Awards 2023 |
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BAYER “BETTER IS SMILING THROUGH THE STORM” | Eugen Merher | |
MACMILLAN “WHATEVER YOU NEED” | Charlotte Regan | |
As Assistant Editor |
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television: |
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2021 | DEAD PIXELS | Jamie Jay Johnson / Various Artists |
shorts: |
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2017 | BE AS YOU WISH TO BE SEEM | John Turner / Acne |