Producer / Director
Rosser’s route into directing and producing has been through learning her craft, firstly as both a director and producer of short films, then as a First AD and director of feature films, and recently through shadowing directors on established shows like ‘Grace and Frankie’. Based in Los Angeles, and working through her own company Circle Content, she’s happy to go where the work takes her.
GRACE AND FRANKIE
Shadowing Director
DEAD FOR A DOLLAR
Production Consultant
Selected credits
date | production | director / producer / production company |
television: |
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| 2019-20 | FAMILY REUNION (Shadowing Director) | Robbie Countryman / various / Mega Diva, Netflix |
| 2019 | GRACE AND FRANKIE (Shadowing Director) | Ken Whittingham / various / Skydance Media, Netflix |
| 2019 | COOP & CAMI (Shadowing Director) | Wendy Farone / Boyce Bugliari / Disney |
| 2016 | GOOD GIRLS REVOLT (Shadowing Director) | Minkie Spiro / Lynda Obst / Amazon Studios |
| 2010 | STARSTRUCK (Shadowing Director) | Michael Grossman / Jayne Bieber / Disney |
| 2010 | SUITE LIFE ON DECK (Shadowing Director) | Phill Lewis / Pam Eells / Disney |
| 2009 | GHOST TOWN (First AD) | various / Sonia Winesett / SunnyBoy Entertainment |
| 2007 | IN THE SOUP (First AD) | Chris Canfield / Nancy Lamfers / Golden Griffin Prod. |
| 2006 | DROPPED (Director & Producer) | various / Circle Content, Netflix |
| 2005 | TRANSIT (First AD Los Angeles) | Niall MacCormick / Nikki Parrott / MTV-UK |
| 2005 | GARY: UNDER CRISIS (First AD) | Daniel Klein, Colin Trevorrow / Josh Roth |
| 2002 | SATURDAY NIGHT SOLUTION (First AD) | Kenneth Horstmann / various / Norsemen Television |
feature films: |
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| 2023 | FANFIC (Dubbing Director) | Marta Karwowska / various / Netflix |
| 2022 | THE MARRIAGE APP (Dubbing Director) | Sebastián De Caro / various / Buffalo Films, Netflix |
| 2022 | DEAD FOR A DOLLAR (Producing Consultant) | Walter Hill / Tara Tovarek, Chris Waltz / Quiver |
| 2021 | DEADLY ILLUSIONS (First AD) | Anna Elizabeth James / Greer Grammer, Shanola Hampton / Kiss and Tale Productions, Netflix |
| 2012 | WILLA (Executive Producer) | Christopher Birk / Nathaniel Kramer / Alpha Tree |
| 2012 | LOVE OR WHATEVER (Director & Producer) | Camillia Monet / Circle Content, Amazon |
| 2009 | LITTLE HERCULES IN 3-D (First AD, 2nd Unit) | Mohamed Khashoggi / various / Innovate Ent. |
| 2009 | THE PEOPLE SPEAK (Associate Director) | Anthony Arnove, Chris Moore, Howard Zinn Voices |
| 2008 | MIDNIGHT MOVIE (First AD) | Jack Messitt / various / Bigfoot Entertainment |
| 2007 | HOLDING TREVOR (Director & Producer) | Oneita Parker / Circle Content, Regent |
| 2006 | DARK RIDE (First AD) | Craig Singer / Chris M. Williams / Lions Gate Films |
| 2006 | HONEYMOON WITH MOM (First AD) | Paul A. Kaufman / Sylvia Hess / ACH, Lifetime |
| 2003 | WAVEY BABES (2nd Unit Director) | Lisa Knox / Nancylee Myatt, Georgia Ragsdale |
| 1999 | THE WOMAN CHASER (First AD) | Robinson Devor / Charles Willeford / Definitive Films |
| 1998 | THE PROHECY II (First AD, 2nd Unit) | Greg Spence / W.K. Border/ Dimension Films |
shorts: |
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| 2018 | DATING & CONFUSED: SVU (2nd Unit Director) | Anise Fuller / David Spates / Walk By Faith Prod. |
| 2018 | PEA POD (Director & Producer) | Nicci Freeman, Oneita Parker / Circle Content |
| 2017 | [IN]VISIBLE (Director & Producer) | various / Circle Content |
| 2015 | MONGOOSE8 (Director & Prodcuer) | Jamie Trent / Circle Content |
| 2005 | TALKIN’ ‘BOUT (Director & Producer) | KGB Films |
| 2004 | PAIN (Director & Producer) | KGB Films |
| 2003 | DRAMA (Director & Producer) | KGB Films |
| 2001 | BREAKING UP REALLY SUCKS (Producer) | Jennifer McGlone / Power Up Films |
commercials: |
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| 2020 | SAMSUNG (Producer) | various, Solid Create |
| 2015 | FACEBOOK “F8” (Producer) | JonPaul Douglass, Delve Media |
| 2015 | FACEBOOK “Sprouts” (Producer) | Eli Odegaard, Delve Media |
| 2015 | LIFELOCK (Producer) | Sky Pinnick, Rage Films |
| 2015 | CASTROL MOTOR OIL (Producer) | Sky Pinnick, Rage Films |
